CELLA
Architecture of the Invisible
It’s a two pieces ceramic engraved canvas inspired by the hidden architecture of life, this piece draws from the intricate interior of biological cells to reveal a world of organized complexity.
Delicate carvings map out microscopic patterns, networks, membranes, and invisible structures, translating the unseen into tactile form. In this quiet landscape of detail, the piece reflects the harmony that exists even at the smallest scale. It speaks to the balance woven into all living systems, reminding us that the rhythms of the microscopic mirror the greater patterns of existence.
Hand-engraved in beige stoneware with subtle chamotte and finished in a matte white slip, the surface invites close observation, like peering into a world usually hidden from view.
THE WIND VOICE
Where the Breath Lingers
I shaped this piece in clay to give form to the whispers of nature, those invisible currents that shape the world around us. White, fluid lines sweep across the black surface, tracing the quiet flow of air through branches, the unspoken rhythm that moves through the landscape. Each mark is an attempt to capture something fleeting, a moment of movement that passes just beyond our reach.
This piece holds the essence of those invisible forces, inviting you to pause and feel the subtle presence of nature’s unseen currents.
Crafted from beige stoneware with delicate chamotte, the piece is painted with a black velvet engobe, enhancing its tactile, earthy presence while embracing its ethereal form.
MEMORY TRACE
Meeting point between past and present: where drawing returns through clay.
It had been years since I last drew. During my college days, I found joy in printmaking, engraving linoleum, wood, and zinc. These tactile processes stayed with me, even as ceramics became my full-time path.
Recently, I returned to those gestures in a new way: carving into a porcelain slab coated in black slip, guided by the natural rhythm of a tree trunk’s pattern. It felt like rediscovering an old language, this time spoken through clay.
Crafted in porcelain and black slip, the piece bridges two practices, print and form, memory and material.
